Sampling

I put on a three-yard warp of 8/2 unmercerized cotton in two colors.  I've never sampled before and I decided that it was time, before I wasted any more yarn.  A friend who teaches weaving recently told me that is how she starts her beginning weaving students.  I learned a lot by using a light and dark blue. 

I also discovered that I'm not all that crazy about art yarn as weft.  It's really not all that interesting.

I also learned that you need a contrast warp or you lose the yarn entirely.  It's been suggested that plain weave works well - let's the yarn be the star instead of the weave, but I like the point twill on the left too.

I also learned that if you use a warp that's the exact same color as part of a variegated yarn, that color, in this case, royal blue, just becomes a solid color and the pattern disappears.  Same for the baby blue in the hand spun yarn.

I learned that the wrong color of warp is a complete waste of a beautiful handspun yarn.  This was a variegated silk that I plied with black wool.  I also can see that the color changes aren't going to be any more attractive in a scarf than they are in this sample.  I'm still going to use it for a scarf but as the warp , with either an apple green or black Tencel for weft.  I also twisted the cotton to see if it would be okay in a fringe and it's not bad.

This is the yarn but it has long runs of color that looked weird in the weft.  I also learned that fewer picks per inch make a much more drapey fabric.  None of the samples were stiff - finally.   It was like a study group of one - I learned a ton!

Our last CSA box was huge and I'm glad we have two weeks to eat of of this.  It's Christmas in July!